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b. 71-72
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composition: Op. 43, Tarantella
..
In EE the slur over the progression in LH extends over the first chord of b. 80. In GE the slur in LH extends over the end of the first beat of b. 72. Both variants may well be the arbitrary editiorial revisions. We see a similar situation at the slur end in bars 76-79. category imprint: Differences between sources |
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b. 72
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composition: Op. 43, Tarantella
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No bracketed marking in A or GE. It may have been added by Chopin in lost copies but it may have also been arbitrarily added by the revisors. There is an accent at the beginning of the bar in FC3 (→FE→IE) and EE. category imprint: Differences between sources |
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b. 72
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composition: Op. 43, Tarantella
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We add cautionary category imprint: Editorial revisions |
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b. 72-76
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composition: Op. 43, Tarantella
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In A, FC3 (→FE→IE) and GE the slur extends over the chromatic scale in the RH part to the first half of b.76. No slur in EE may well be the copyist's or engraver's omission. category imprint: Differences between sources issues: Errors in EE |
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b. 72-75
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composition: Op. 43, Tarantella
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In GE4 in bars 72-75 every chord in the LH part is conncted with the following e category imprint: Differences between sources issues: GE revisions |
before e
2 and e
