Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 59

composition: Op. 43, Tarantella

FC3 (→FEIE), GE, EE

..

In all sources except A the copyist omitted an accent on the first beat of the bar. 

category imprint: Differences between sources

issues: Errors of FC

b. 59

composition: Op. 43, Tarantella

No slur in  A, FC3 (→FEIE), GE1 (→GE2), EE

Slur in GE3 (→GE4)

..

In  GE3 (→GE4) a tie for a1 in RH was arbitrarily added.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 61

composition: Op. 43, Tarantella

..

We add cautionary  on in LH.

category imprint: Editorial revisions

b. 63

composition: Op. 43, Tarantella

A, FC3 (→FEIE), EE

..

In FC3 (→FEIE) and EE bars 59-67 fall under one slur. Based on GE we present the version with a breath in b.63. In A slurring in this bar is illegible due to the partly burnt manuscript, however, it may be assumed with some certainty that here Chopin did exactly what he did in b. 55. 

category imprint: Differences between sources

issues: GE revisions

b. 63

composition: Op. 43, Tarantella

..

We add cautionary  before a in LH. The same was done in EE and GE4.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions