mUltimate Chopin

Op. 43, Tarantella

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b. 63

composition: Op. 43, Tarantella

..

In A almost the whole RH part in b. 63 is illegible due to the burnt page corner of the manuscript. Similar damages make difficult or impossible the reading of some fragments of A in bars 92-97, 148-149, 196-197 and 241-242.

category imprint: Graphic ambiguousness; Differences between sources

issues: Incomplete sources

b. 64

composition: Op. 43, Tarantella

d1 in A, FC3 (→FE→IE), EE & GE1 (→GE2→GE3)

e1 in GE4
..

The GE4# version was most probably introduced in order to avoid the difference with the analogous bars 52, 56 and 60, which feature e1 as the fifth L.H. quaver. This version may be regarded as a permissible variant – although this kind of differences in similar passages do occur in Chopin's works but a composer's mistake cannot be completely excluded.

category imprint: Differences between sources

issues: GE revisions

b. 65

composition: Op. 43, Tarantella

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We add cautionary  on f in LH.

category imprint: Editorial revisions

b. 66

composition: Op. 43, Tarantella

..

In A there is unjustified  before d in LH. This minor inaccuracy was only corrected in EE.

category imprint: Differences between sources; Editorial revisions

issues: Last key signature sign

b. 67

composition: Op. 43, Tarantella

A

FC3 (→FE→IE), GE, EE
..

In all sources except A there is no accent on the first beat of the bar. Compare annotation in b. 59.

category imprint: Differences between sources

issues: Errors of FC