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b. 50-51

composition: Op. 50 No. 2, Mazurka in A♭ major

No pedalling in A1 (→FEEE)

Pedalling in GE1

Pedalling in GE2

Our variant suggestion

..

Due to the reasons explained in analogous b. 19-20, in the main text we give the pedalling of GE in a variant form only. At the same time, we include the correction of the placement of the  mark in b. 50, introduced in GE2.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 54

composition: Op. 50 No. 2, Mazurka in A♭ major

in A1 (→FEEE)

Grace notes in GE

..

Just like in b. 23, in the main text we adopt the notation of the principal source, i.e. GE, undoubtedly repeated after [A2].

category imprint: Differences between sources; Corrections & alterations

b. 56

composition: Op. 50 No. 2, Mazurka in A♭ major

No pedalling in A1 (→FEEE)

Pedalling in GE

Our variant suggestion

..

Just like in b. 25, in the main text we give the pedalling of GE, perhaps entered hastily, only in a variant form.

category imprint: Differences between sources; Corrections & alterations

b. 56

composition: Op. 50 No. 2, Mazurka in A♭ major

..

Just like in b. 25, in the main text we take into account the cautionary  before e1, present in GE and added in the first stage of proofreading of FE (→EE).

category imprint: Differences between sources; Corrections & alterations

issues: Cautionary accidentals , FE revisions

b. 59-60

composition: Op. 50 No. 2, Mazurka in A♭ major

Slur to g1 in A1 (→FEEE)

Slur to f1 in GE

..

In the main text we give the longer slur introduced in the proofreading of GE1: one can see traces of the removed ending of the shorter slur, to g1 in b. 59. According to us, that change is to be related to two other ones: the change of rhythm in b. 59 and the removal of d1 at the beginning of b. 60.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of GE