



b. 31
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we reproduce the motivic slur of A1, which clearly begins over the d category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 31
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In A1 (→FE→EE) there is a cautionary category imprint: Differences between sources |
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b. 32-34
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Out of the three slurs of A1, FE (→EE) overlooked two. It allows us to assume that the absence of the slur in b. 34 is also a result of an oversight, most probably of the engraver of GE. category imprint: Differences between sources issues: Errors in FE |
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b. 36-37
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we include the slur of GE, added almost certainly by Chopin in [A2] or in the proofreading of GE1. See also b. 28-29. category imprint: Differences between sources; Corrections & alterations |
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b. 36-37
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we include the long accents written in A1. An analysis of the crossings-out and corrections in that autograph suggests that Chopin added the accents while performing the last corrections in the finished manuscript, probably after [A2] had already been written. The composer's intention is also confirmed by possible Chopinesque proofreading of FE in b. 37: the fact that the accent was added in the last stage of proofreading is indicated by the absence of the mark in EE. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Long accents , Corrections in A , EE inaccuracies , Deletions in A , Authentic corrections of FE |