b. 77-78
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In FE (→EE) a routine transfer of the slur to the side of noteheads changed the unequivocal slur of A1 into a tie of c1. Unlike in b. 65-66, no attempts were taken to correct that mistake. In the main text we give the unequivocal version of A1 and GE. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , Placement of markings , Omitted correction of an analogous place |
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b. 78-79
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composition: Op. 50 No. 2, Mazurka in A♭ major
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Just like in b. 62-63, we include the tie of A, added by Chopin in the last stage of proofreading of FE, in the main text in a variant form. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 78
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we suggest adding a cresc. marking after b. 62, with which the discussed bar is supposed to be identical. Since Chopin added cresc. in b. 62, its absence here is most probably an overlooked correction of one of a few analogous places, a frequent phenomenon in Chopin's works. category imprint: Editorial revisions |
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b. 78-79
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In FE (→EE) a routine transfer of the slur to the side of noteheads changed the unequivocal slur of A1 into a tie of b. It is noteworthy that in analogous b. 62-63 the same slur of A1 was reproduced in FE correctly, which suggests that the aforementioned place was proofread. In the main text we give the unequivocal version of A1 and GE. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in FE , Placement of markings |
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b. 79
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composition: Op. 50 No. 2, Mazurka in A♭ major
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In the main text we include the pedalling added by Chopin in the last stage of proofreading of FE in a variant form. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |