b. 72-75
|
composition: Op. 50 No. 2, Mazurka in A♭ major
..
Just like in the previous bars, 4 subsequent accents must have been added in the proofreading of GE1 or earlier, still in [A2]. The mark in b. 74 is poorly visible, as a result of which it was overlooked in GE2. According to us, it is, however, a print defect and not a remaining element after removal of that accent. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections of GE |
|||||||||||
b. 72
|
composition: Op. 50 No. 2, Mazurka in A♭ major category imprint: Differences between sources issues: Errors in FE |
|||||||||||
b. 73-81
|
composition: Op. 50 No. 2, Mazurka in A♭ major
..
In b. 73, 75, 77-78 and 81, in the main text we give the only authentic notation of A1 and GE1, which is, moreover, concordant, in which the slurs next to the grace notes reach the bottom note of the following quaver. The versions of FE and EE result from mistakes and inaccuracies, whereas in the case of GE2 – from revision. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in FE , Errors in EE , GE revisions |
|||||||||||
b. 74-76
|
composition: Op. 50 No. 2, Mazurka in A♭ major
..
In b. 74 and 76, in the main text we include the pedalling added by Chopin in the last stage of proofreading of FE and in [A2] or in the proofreading of GE1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of GE |
|||||||||||
b. 74
|
composition: Op. 50 No. 2, Mazurka in A♭ major
..
Chopin added the cresc. and ritenuto indications in the proofreading of GE1 or in [A2]. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of GE |