Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pitch

b. 360

composition: Op. 31, Scherzo in B♭ minor

..

A (→FCGE1, →FEEE1) has a reminding  before g1. The mark, unnecessary in this context, was removed in GE2 (→GE3) and EE2 (→EE3). The same applies to b. 462.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign

b. 380-382

composition: Op. 31, Scherzo in B♭ minor

..

In the main text we add cautionary naturals before a in b. 380 and 382 and a  before g in b. 381. The first natural was added also in GE, the second – in GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 418

composition: Op. 31, Scherzo in B♭ minor

..

In the main text we add a cautionary  before d2. The mark was added already in GE, EE2 (→EE3) and FESf.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 424-425

composition: Op. 31, Scherzo in B♭ minor

..

GE1 has erroneously e1 as the last crotchet in b. 424. The mistake was corrected in GE2 (→GE3) by replacing it with a tied c1.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , Terzverschreibung error , GE revisions

b. 435

composition: Op. 31, Scherzo in B♭ minor

e2 in A (→FCGE, →FEEE1)

e2 in EE2 (→EE3)

..

The version of EE2 (→EE3) is an arbitrary revision, perhaps aimed at avoiding a flagrant (?) succession and harmony of a minor ninth, d1-e2.

category imprint: Differences between sources

issues: EE revisions