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Op. 31, Scherzo in B♭ minor

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b. 469-471

composition: Op. 31, Scherzo in B♭ minor

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There is no accidental before the last note in b. 469 and before the penultimate one in b. 471 in A. This patent inaccuracy was corrected by Fontana in FC (→GE). Initially, both bars were deprived of the marks in FE; moreover, in b. 469 the discussed note was printed an octave too high (perhaps considering the use of an octave sign). That version was passed on to EE1, which added only the  in b. 471. In FE in the last phase of proofreading the note in b. 469 was moved to the right pitch, adding a  next to it, yet the mark in b. 471 was not added. In EE2 (→EE3) the pitch of the last note in b. 469 was corrected in accordance with the logic of the passage's structure, yet the  was not added.

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category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in EE , Authentic corrections of FE , Fontana's revisions , Inaccuracies in A

b. 470

composition: Op. 31, Scherzo in B♭ minor

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Just like in b. 360 and 462, A (→FC,FE→EE) features a cautionary  before g. The superfluous mark was removed in GE. In this context it is also the  before d, present in all sources, that is unjustified, hence we omit it in the main text.

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category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals , Last key signature sign

b. 477

composition: Op. 31, Scherzo in B♭ minor

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The  raising a3 to a3, overlooked in A (→FE), was added in FC (→GE) and EE. The mark was also added in FESf.

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category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE , Annotations in FESf

b. 478-479

composition: Op. 31, Scherzo in B♭ minor

e3 in A (→FE,FC→GE1)

e3 with  in GE2 (→GE3) & FESf

e3 in EE1

e3 & e3 in EE2 (→EE3)
..

In the main text we add a cautionary  before the 2nd quaver in b. 478 (e3), since there are no doubts that the harmonic sequence on which the passages in b. 476-483 are based is to be the same as the one in b. 484-491 (including the semitone transposition). The absence of that  misled the engraver of EE who added a  here, changing the 2nd and 5th quavers from e3 to e3. That erroneous change was rectified in EE2 (→EE3), yet only partially, by adding a  restoring e3 on the 5th quaver. In GE2 (→GE3) a cautionary  was added not only in the discussed place, but also before e2 in the next bar. A natural before the 2nd quaver was also added in FESf.

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category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , EE revisions , GE revisions , Annotations in FESf

b. 480

composition: Op. 31, Scherzo in B♭ minor

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In the main text we add cautionary naturals before a and a1. The former was added already in GE1, while the latter – in GE2 (→GE3).

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category imprint: Differences between sources; Editorial revisions

issues: GE revisions