



Pitch
b. 241-245
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composition: Op. 31, Scherzo in B♭ minor
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Chopin added five-bar crescendi both in FC (→GE; in GE1 without dashes) and the proofreading of FE (→EE), which we take into account in the main text. It is noteworthy that the additions are fully compatible unlike for the first time (b. 109-116), when they differed in the range of the indication. See also b. 246-249. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 257
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we suggest the D category imprint: Editorial revisions |
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b. 262
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composition: Op. 31, Scherzo in B♭ minor
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There is no octave sign over the R.H. minim in A (→FE→EE1). The patent mistake (particularly after comparing it with b. 130) was corrected in FC (→GE), probably by Fontana's hand, as well as in EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE , Errors repeated in EE |
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b. 265
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composition: Op. 31, Scherzo in B♭ minor
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In A the beginning of the sotto voce indication was placed on the category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 273
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composition: Op. 31, Scherzo in B♭ minor
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The version of GE1 must be erroneous in this place; Chopin crossed out the E-e octave in A here and replaced it with the E-d seventh. GE2 (→GE3) restored the version of FC. category imprint: Differences between sources issues: Errors in GE , GE revisions |