Pitch
b. 445
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composition: Op. 31, Scherzo in B♭ minor
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There is no raising d to d in A (→FE→EE1). Chopin's patent inaccuracy was corrected by Fontana in FC (→GE); a was also added in EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Fontana's revisions , Errors repeated in FE , Errors repeated in EE |
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b. 448
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 450
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composition: Op. 31, Scherzo in B♭ minor
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The version of A is the original one, left by inadvertence: in an analogous situation, eight bars earlier, Chopin changed b2 to a2, and in the discussed bar he introduced an identical change in FC and FE. In the case of FE the change was introduced in the last phase of proofreading, not included in EE. category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Authentic corrections of FE , Omitted correction of an analogous place , Authentic corrections of FC |
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b. 462
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composition: Op. 31, Scherzo in B♭ minor
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Just like in b. 360, A (→FC→GE1, →FE→EE1) features a reminding before g1. The mark, superfluous in this context, was removed in GE2 (→GE3) and EE2 (→EE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Last key signature sign |
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b. 468
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we add cautionary naturals before the L.H. octave. The marks were also added in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |