b. 579-580
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we preserve the version of A (→FC), since there are no indications that Chopin was removing dots in FE or adding them in GE. However, it is uncertain whether the missing dot in b. 580 was intentional, since the bar opens a new line of text, which would often contribute to various inaccuracies of notation. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , GE revisions |
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b. 581-582
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composition: Op. 31, Scherzo in B♭ minor
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Just like in the previous bars, an additional slur under the L.H. part is not necessary in this layout. category imprint: Differences between sources issues: GE revisions |
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b. 588
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composition: Op. 31, Scherzo in B♭ minor
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In EE1 the bottom note of the L.H. crotchet is an erroneous A1. The mistake was initially also in FE, in which, however, it was corrected during the proofreading, perhaps by Chopin's orders. The mistake was also rectified in EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Authentic corrections of FE , Errors repeated in EE |
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b. 588-620
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composition: Op. 31, Scherzo in B♭ minor
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Differently than in the two previous appearances of this theme (b. 5-37 and 137-169), in b. 588, 596, 612 and 620 there are no wedges at all in A. In turn, Chopin twice introduced separate marks for the L.H., which we consider to be determinant for the entire fragment. The use of double marking could have been related to the presence of longer, tied notes in the preceding motifs. The same unification was introduced in GE, whereas the notation of FC and FE (→EE) has to be regarded as inaccurate or erroneous. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , GE revisions , Wedges , Inaccuracies in FC |
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b. 589-590
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composition: Op. 31, Scherzo in B♭ minor
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In accordance with the analysis of the Chopinesque or marks in this and analogous pairs of bars (see b. 6-7), in the main text we give an averaged, more or less one-bar hairpin. According to us, all hairpins, regardless of their actual length, are to be interpreted as long accents. category imprint: Differences between sources; Editorial revisions issues: Long accents , Inaccuracies in GE , GE revisions , EE inaccuracies |