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b. 561-566
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composition: Op. 31, Scherzo in B♭ minor
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The slurs of EE added in b. 561-562 and 565-566 are contrary to Chopin's intention. It is proven by the same type of slurs having been crossed out in A in the first of those places. According to us, it is even uncertain whether the slurs were an actual original concept of articulation of those motifs, since Chopin could have erroneously marked one similar place too many while adding slurs on that page of A. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Corrections in A , Deletions in A |
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b. 562-564
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composition: Op. 31, Scherzo in B♭ minor
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The presence of arpeggios both in b. 560 and 566 makes us consider their absence in b. 562 and 564 to be Chopin's oversight. Therefore, in the main text we suggest adding the signs. The arpeggios were added in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 566
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composition: Op. 31, Scherzo in B♭ minor
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The missing arpeggio signs are most probably a mistake of the engraver of FE, who could have confused the bar with one of the previous ones, similar b. 562 or 564. category imprint: Differences between sources issues: Errors in FE |
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b. 568
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composition: Op. 31, Scherzo in B♭ minor
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The missing arpeggio must be a result of the engravers' inattention, particularly in FE, in which the last arpeggios in this section were printed in b. 560. The mark was added in GE2 (→GE3). See also the note below and in b. 570-572. category imprint: Differences between sources issues: Errors in FE , Errors in GE , GE revisions |
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b. 568-572
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composition: Op. 31, Scherzo in B♭ minor
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According to us, the missing L.H. arpeggios in b. 568, 570 and 572 are not an accident, hence in the main text we preserve this version. However, since Chopin would sometimes overlook signs in this entire section (cf., e.g. b. 557 as well as 562 and 564), we suggest an arpeggio in b. 568 as an alternative version. The version of GE2 (→GE3) with arpeggios in all the discussed bars may be applied only in accordance with the R.H. arpeggios. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
