Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt III
Sources
- French edition
- First French edition
- Dubois copy
- Forest copy
- Hartmann copy
- Jędrzejewicz copy
- Stirling copy
- German edition
- First German edition
- Corrected impression of GE1
- Altered impression of GE2
- Second German edition
- English edition
- First English edition
- Corrected impression of EE1
- Revised impression of EE2
FED - Dubois copy
| Publisher: | Maurice Schlesinger |
| Date: | 1843-1848 |
| Plate number: | M.S.1409 |
| Title: | Concerto |
| Dedication: | Monsieur F. Kalkbrenner |
A pupil's copy from the collection of one of Chopin's best pupils, Camille O'Méara-Dubois. It contains numerous additions of the collection's owner performed in pencil as well as some entered by Chopin. They prove that the Concerto was being thoroughly developed during lessons with Chopin.
Above all, the annotations concern fingering (in the majority of the cases written probably by the pupil's hand), e.g. in bars 23-24 and 32, 33, 42, 144, 212 and 216, 222, 226, 251, 358, 362, 381, 441, 498.
Moreover, FED includes corrections of printing mistakes in bar 375 and 486 as well as minor performance indications, e.g.:
- synchronisation markings in bar 20,
- a slur in the L.H. in bars 156-157,
- a long accent in bar 167,
- tenuto dashes in bar 380.
In bar 483, one can see two diagonal crosses, typical of Chopinesque teaching entries.
| Original in: | Bibliothèque Nationale de France, Paris |
| Shelf-mark: | Rés. F.980 (I.5) |