Issues : Authentic corrections of FE
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b. 412
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing dots in GE are most probably an oversight, although it cannot be ruled out that the markings were added in the last proofreading of FE – cf. bar 430. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 420
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composition: Op. 11, Concerto in E minor, Mvt III
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In the L.H. part, there are erroneous c category imprint: Differences between sources; Source & stylistic information issues: Errors in FE , Terzverschreibung error , GE revisions , Authentic corrections of FE , Errors repeated in GE |
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b. 421
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composition: Op. 11, Concerto in E minor, Mvt III
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The cautionary category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 429
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composition: Op. 11, Concerto in E minor, Mvt III
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The version of GE1 (→GE2), distorting the sequence of bass (implemented by cellos and double basses), must be erroneous. However, the traces of proofreading visible in FE prove that it was the engraver of this edition that committed a mistake, yet in GE1 the note was revised by adding an admittedly overlooked category imprint: Differences between sources issues: Terzverschreibung error , GE revisions , Authentic corrections of FE , Errors repeated in GE |
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b. 430
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato dots under the chords are probably an oversight of the engraver of GE. It is already a second situation in this theme (after bar 412), which may mean that the dots were added only just in the last proofreading of FE. category imprint: Differences between sources issues: Errors in GE , Authentic corrections of FE |
2-b1 semiquavers in 
before a1 was probably added in the last phase of proofreading of 
