Issues : Authentic corrections of FE
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b. 124
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing dots in GE may be merely an oversight; however, it cannot be ruled out that the marks were added in the last proofreading of FE – see the note on the slur. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 124-126
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composition: Op. 11, Concerto in E minor, Mvt III
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The slur in FE was added probably in the last phase of proofreading; hence it is absent in GE1 (→GE2). It is indicated by the shape of the slur, adjusted to the already existing elements of notation with difficulty. The slur was added in GE3 (also in the L.H.). category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 133-137
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composition: Op. 11, Concerto in E minor, Mvt III
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Precise slurring of this section (bars 128-143) is a result of Chopin's proofreading, whose traces are visible in FE in bars 133, 136 and 137 – the original slurs reached only just the fourth last semiquaver. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 148
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composition: Op. 11, Concerto in E minor, Mvt III
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GE is missing the cautionary category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 156-158
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composition: Op. 11, Concerto in E minor, Mvt III
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The cautionary naturals before the E-e octave in the middle of bar 156 are to be found only in FE (→EE), which points to a possible proofreading performed by Chopin in the last stage of preparation of FE. In the main text, we add analogous naturals also in bar 158; they were added also in EE. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
before b1, which probably means that it was added in the last phase of proofreading of