mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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b. 248

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 249-250

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 250-251

composition: Op. 11, Concerto in E minor, Mvt III

Triplet in bar 251 in FE (→EE)

Triplet in bar 250 in GE
..

The version of GE, in which the figures in the L.H. in the 2nd halves of bars 250 and 251 are swapped, was initially also in FE, where, however, Chopin changed it in the last stage of proofreading. It was most probably a mistake of the engraver of FE. The correct order of figurations in FE is additionally confirmed by the fingering written in FED in bar 251.

category imprint: Differences between sources

issues: Authentic corrections of FE , Errors repeated in GE

b. 250-252

composition: Op. 11, Concerto in E minor, Mvt III

No slurs in FE (→EE,GE1→GE2)

4 slurs in GE3
..

The slurs added in GE3 – after the authentic slurs of the L.H. – most probably correspond to a performance envisioned by Chopin. However, we do not add them in the main text, since division into particular figures results here from the very shape of motifs, emphasised by beams. Similar slurs were introduced in GE3 also in bars 256-257.

category imprint: Differences between sources

issues: GE revisions

b. 251

composition: Op. 11, Concerto in E minor, Mvt III

No teaching fingering
..

We give the identical entries in FED and FEH in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH