mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 244-246

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 245-247

composition: Op. 11, Concerto in E minor, Mvt III

Short accents in #FE (→GE,EE)

Long accents suggested by the editors
..

The accents in the L.H. in bars 245 and 247 have different length in FE, but they do not seem to be long, so both GE and EE reproduced them as short. According to us, it is still possible that Chopin wrote long accents in [A], which is indicated by the slightly longer mark in FE in bar 247 and evident long accents in the orchestral part of FEorch (clarinet I and bassoon I).  

category imprint: Graphic ambiguousness; Editorial revisions

issues: Long accents

b. 245

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 246

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add a cautionary ​​​​​​​ before a1, after the authentic accidental featured 2 bars earlier.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 246

composition: Op. 11, Concerto in E minor, Mvt III

No sign in FE (→GE,EE)

[] suggested by the editors
..

In the main text, we suggest adding a ​​​​​​​ mark after analogous bar 244.

category imprint: Interpretations within context; Editorial revisions