Slurs
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b. 64-67
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composition: Op. 11, Concerto in E minor, Mvt III
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The slur of FE starts from the beginning of the line of text; at the same time, its beginning suggests continuation from the previous bar. That fact indicates that the initial part of the slur was overlooked, which we amend in the main text by starting the slur at the beginning of the two-part progression. The slur was identically prolonged in GE3. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , Uncertain slur continuation |
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b. 68-70
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composition: Op. 11, Concerto in E minor, Mvt III
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In bars 68 and 70, GE3 arbitrarily provided the first two quavers in the R.H. with slurs. It is a part of a large-scale revision of performance indications in this Tutti. category imprint: Differences between sources issues: GE revisions |
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b. 93
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composition: Op. 11, Concerto in E minor, Mvt III
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We consider the slur from the 2nd semiquaver of the bar to be possibly inaccurate – see bar 30. Due to this reason, in the main text we give a slur over the entire 1st half of the bar. The slur was started earlier also in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 96
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 105-107
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composition: Op. 11, Concerto in E minor, Mvt III
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In GE3, slurs over the three-note motifs in the top voice of the R.H. and the L.H. were arbitrarily added in bars 105 and 107 (three subsequent semiquavers in the R.H. were provided with staccato dots). category imprint: Differences between sources issues: GE revisions |
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