mUltimate Chopin

Page:

Source:

p. 4, b. 90-122

p. 1, b. 1-32

p. 2, b. 33-58

p. 3, b. 59-89

p. 4, b. 90-122

p. 5, b. 123-144

p. 6, b. 145-162

p. 7, b. 163-193

p. 8, b. 194-221

p. 9, b. 222-239

p. 10, b. 240-260

p. 11, b. 261-279

p. 12, b. 280-315

p. 13, b. 316-342

p. 14, b. 343-360

p. 15, b. 361-375

p. 16, b. 376-391

p. 17, b. 392-409

p. 18, b. 410-449

p. 19, b. 450-475

p. 20, b. 476-495

p. 21, b. 496-520

Main text

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FED - Dubois copy

FEFo - Forest copy

FEH - Hartmann copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

GE2a - Altered impression of GE2

GE3 - Second German edition

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE1

EE3 - Revised impression of EE2

Importance

Undo Clear

transcript

Prezentacja

Select

copy link Main text

b. 105-107

No marks in FE (→EE,GE1→GE2)

Staccato dots in GE3

As part of an arbitrary clarification of articulation, GE3 provided the repeated semiquavers in bars 105 and 107 with staccato marks.

See b. 100-103

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FED, FEH, FEJ, FES, GE1, GE2, GE3, EE1, EE2, EE3, GE2a, FEFo

Complete ➔

Op. 11, Concerto in E minor, Mvt III