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b. 120

composition: Op. 11, Concerto in E minor, Mvt III

Digits added to Chopin's fingering in FEH

Chopin's fingering in FE (→GE)

Chopin's & Fontana's fingering in EE

..

Both EE and FEH completed the Chopinesque printed fingering. Chopin copied the distance of a fourth between the 3rd and 4th fingers also in the 1st mov. of the Concerto, in bar 449.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 120-122

composition: Op. 11, Concerto in E minor, Mvt III

Slur to end of bar 122 in FE (→EE,GE1GE2)

Slur to bar 122 in GE3

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The longer slur of GE3 corresponds with its range to the slur featured in the next passage (bars 124-126) in FE. Since the aforementioned slur of FE, having been added probably in the last phase of proofreading, seems to be more credible, it cannot be excluded that the version of GE3 may correspond to the composer's intention. Therefore, it can be considered a variant of uncertain authenticity. In such a context, both versions have practically the same meaning.

category imprint: Differences between sources

issues: GE revisions

b. 120-122

composition: Op. 11, Concerto in E minor, Mvt III

No L.H. slur in FE (→GE1GE2)

Slur to end of bar 121 in EE, contextual interpretation

Slur to bar 122 in GE3

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The added slur in the L.H. is obviously musically justified. However, in the main text we keep the original notation, since Chopin used both notations in similar contexts – with a slur only over the R.H., valid by default also for the L.H., or with separate slurs for both hands. Both EE and GE3 added a slur corresponding to the slur in the R.H. – in EE to the end of bar 121, and in GE3 to e3. The slur in EE begins only just in bar 121 (on a new line); however, its beginning points to continuation from the previous bar.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE , GE revisions

b. 122

composition: Op. 11, Concerto in E minor, Mvt III

Wedges in FE (→EE) & GE3

No marks in GE1 (→GE2)

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The missing wedges at the beginning of the bar are most probably an oversight of the engraver of GE1 (→GE2). The marks were added in GE3.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 124

composition: Op. 11, Concerto in E minor, Mvt III

Staccato dots in FE (→EE)

No marks in GE

..

The missing dots in GE may be merely an oversight; however, it cannot be ruled out that the marks were added in the last proofreading of FE – see the note on the slur.

category imprint: Differences between sources

issues: Authentic corrections of FE