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The revision of GE3, unifying the slurring of bars 512-513 and 514-515, seems to be superfluous – the first time, the slurs articulate the rhythmic division of the passage's descending part, resulting from its very structure; the second time – they emphasise the unity of the entire virtuoso figure.
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category imprint: Differences between sources
issues: GE revisions
notation: Slurs