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b. 475

composition: Op. 11, Concerto in E minor, Mvt III

No mark in FE (→EE,GE1GE2)

Short accent in GE3

Long accent suggested by the editors

..

The missing accent does not have to be considered an oversight in this case – cf. the twin phrases of this three-part progression (bars 473 and 477). Therefore, in the main text we suggest a long accent in accordance with the interpretation adopted in the mentioned bars. An accent (short) was added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: Long accents , GE revisions

b. 476-477

composition: Op. 11, Concerto in E minor, Mvt III

No sign in FE (→GE,EE)

[] suggested by the editors

..

The missing crescendo mark under the last of the three semiquaver sequences constituting the ascending progression must be considered an inaccuracy of notation, since there are no doubts that it must be performed analogously to the previous two. Due to this reason, in the main text we suggest adding a hairpin after most accurately marked bars 472-473.

category imprint: Editorial revisions

b. 477

composition: Op. 11, Concerto in E minor, Mvt III

..

The traces visible in FE demonstrate that the original slur started at the beginning of this bar.

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections of FE

b. 477

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

Our suggestion based on FED & FEH

..

In the main text, we give a fingering made of complementary teaching entries, FED and FEH. Fontana gave an identical fingering in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH

b. 477-478

composition: Op. 11, Concerto in E minor, Mvt III

1 slur suggested by the editors

..

According to us, the slurs of the sources unnecessarily complicate the notation in this place (cf. bars 473-474 and 475-476); moreover, their authenticity is uncertain – the slur in bar 477 could have been, e.g. prolonged in [A], which the engraver of FE misinterpreted as an addition of another slur. One can also imagine that the second slur was added in the proofreading of FE as a simplified form of its prolongation. Taking the above into account, we give one slur over the entire passage in the main text.

category imprint: Editorial revisions