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b. 466-470
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we preserve the version of FE (→GE1→GE2), devoid of accents in the L.H. in bars 466 and 470. In EE, accents were added in both bars, in GE3 – only in bar 470. We consider the additions to be unjustified due to the function of this bar in the structure of the two- and four-bar section – see bar 458. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 467
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, the absence of a staccato mark over the 1st quaver is an oversight. In the main text, we suggest a wedge, since it appears in the majority of similar places. The mark was added here already in GE. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 468-469
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we suggest adding long accents after analogous bars 460-461 and 456-457 and 464-465. Accents (short) were added already in EE as well as in GE3. category imprint: Editorial revisions issues: Long accents , EE revisions , GE revisions |
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b. 468
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composition: Op. 11, Concerto in E minor, Mvt III
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The shorter slur in GE must have been an arbitrary decision, perhaps resulting from a comparison with analogous bar 460. category imprint: Differences between sources issues: GE revisions |
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b. 469
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→GE1→GE2), the second note in the L.H. is a crotchet, as a result of which the bar contains 5 quavers. The mistake, resulting from an inaccurate proofreading (the note was being changed from b to f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors resulting from corrections , Rhythmic errors , Authentic corrections of FE , Errors repeated in GE |
1, so the engraver might have erroneously printed here the next bar), was corrected in