Fingering
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b. 56
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composition: Op. 11, Concerto in E minor, Mvt II
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The fingering added in GE3 is obvious in this context. Its addition was probably aimed at underlining the necessity to hold the semibreve with hand and not with pedal, which, due to the change of the harmony in the middle of the bar, has to be released (changed). The choice of the places in which the reviser of this edition added fingering seems to be highly subjective – apart from this place, additional indications are to be found only in bar 123. category imprint: Differences between sources issues: GE revisions |
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b. 57
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composition: Op. 11, Concerto in E minor, Mvt II
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The 1st finger added next to the d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in GE |
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b. 58
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composition: Op. 11, Concerto in E minor, Mvt II
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The Chopinesque fingering written in FES – the 1st finger on b1 – may be, according to us, used also to perform the extended version of the roulade written in FEH. When choosing this version, one has to use the third of the given variants due to a different layout of the text. category imprint: Differences between sources |
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b. 58
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
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b. 59
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
1 note, most probably in the last phase of proofreading of 
