mUltimate Chopin

Op. 11, Concerto in E minor, Mvt II

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Fingering

b. 61

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 62

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 63

composition: Op. 11, Concerto in E minor, Mvt II

m.g. written into FEH

No indication in FE (→GE,EE)
..

In FE, there are no rests in the original notation of this bar, as a result of which it is not entirely clear which hand is supposed to perform the orchestral part on the 2nd and 3rd beats of the bar. Therefore, in the main text we suggest the indication assigning these crotchets to the left hand, which may have come from Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 64

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

No teaching fingering
..

In this and in the next bar, the fingering digits in FES were written in pencil by Chopin and preserved in ink by Miss Stirling.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 64

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES