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Fingering

b. 65

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

Fingering written into FES

No teaching fingering

..

The fingering in FEH naturally complements the indication in FES, whose authenticity is unquestionable, hence we include it in the main text. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES , Annotations in FEH

b. 65

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

No teaching fingering

..

The use of the 1st finger on the top note of the sixth was indicated in FEH only in this bar; however, it is definitely to be repeated in all four similarly structured figures of accompaniment in bars 64-67. The absence of such an indication in FES provides for a possibility of a different fingering, using the 2nd finger; however, according to us, it is also likely that the entries in this copy mark the same fingering described with more details in FEH.  

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 66-67

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 67

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 68-69

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH in bar 69

No teaching fingering

Fingering suggested by the editors in bar 68

..

In accordance with the General Editorial Principlesp. 17, in the main text we give the fingering written in FEH in bar 69 in bar 68.

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FEH