Fingering
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b. 122
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we include the fingering of FES, based almost certainly on Chopinesque indications. An identical fingering is featured also in FEH. This part of figuration was provided with fingering also by Fontana in EE; however, he suggested transferring the hand instead of a cross-over over the 1st finger. category imprint: Differences between sources issues: EE revisions , Differences in fingering , Annotations in FES , Annotations in FEH |
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b. 122-124
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composition: Op. 11, Concerto in E minor, Mvt II
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The fingering given by Fontana certainly overlaps with Chopin's indications in FES, in which the 1st finger crossing under on the 3rd semiquaver of each half of the bar was not indicated, yet performing all analogous figures with the same fingering was underlined. The digits in GE3 may indicate the same fingering; however, they allow for the use of different fingers at the transition between bars 122 and 123 (most probably 3212 starting from the penultimate semiquaver in bar 122). Next to bar 56, it is the only example of a fingering added by the reviser of GE3 in this movement of the Concerto. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
