Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt II
The fingering added in GE3 is obvious in this context. Its addition was probably aimed at underlining the necessity to hold the semibreve with hand and not with pedal, which, due to the change of the harmony in the middle of the bar, has to be released (changed). The choice of the places in which the reviser of this edition added fingering seems to be highly subjective – apart from this place, additional indications are to be found only in bar 123.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Fingering
