



b. 54
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composition: Op. 11, Concerto in E minor, Mvt II
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Change of slurring in GE3 is a typical example of a routine revision – a separate slur for the 2nd beat of the bar resembles rather bowing than a pianistic gesture. category imprint: Differences between sources issues: GE revisions |
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b. 55
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we give the notation of FE (→EE), intuitively comprehensible and used by Chopin on a number of occasions, e.g. in the 1st mov. of the Concerto, bars 404-406. The version of GE must be erroneous – such a notation is rhythmically unclear and suggests a double performance of the e2 note. Moreover, like in many other places, GE overlooked the wavy line emphasising the continuity of the trill. category imprint: Differences between sources issues: Errors in GE |
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b. 55
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composition: Op. 11, Concerto in E minor, Mvt II
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The missing category imprint: Differences between sources issues: Errors in GE |
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b. 55
|
composition: Op. 11, Concerto in E minor, Mvt II
..
The fingering of FEH in this bar, as well as in bar 58 and 59, may be authentic – the handwriting resembles the Chopinesque one, whereas the hand positions resulting from the finger configuration are natural. category imprint: Differences between sources |
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b. 56
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composition: Op. 11, Concerto in E minor, Mvt II
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The tie of g category imprint: Differences between sources issues: Annotations in teaching copies , GE revisions , Annotations in FES |