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b. 51
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composition: Op. 11, Concerto in E minor, Mvt II
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GE3 does not have any slurs in this bar, which must be a mistake (we discuss the first slur separately). category imprint: Differences between sources issues: Errors in GE |
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b. 52
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we include the a tempo indication, present in the parts of strings; its absence in FE (→EE) must be considered an inaccuracy. In GE, a Tempo 1o indication was added (already at the beginning of the bar); it is probably the editor's revision. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 52
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we add a cautionary category imprint: Editorial revisions |
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b. 52
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composition: Op. 11, Concerto in E minor, Mvt II
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The moment of pedal release from bar 50 suggested by us allows for maintaining the echo of the broadly broken B major chord until the end of the phrase. Using the so-called diminuendo pedal at the end – unhurried, steady pedal release – will ensure a smooth, gradual silencing, crowning the smorzando marked by the composer. According to us, the mark in GE3, placed before the final quaver in the solo part, suggests a too early pedal release. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 52
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composition: Op. 11, Concerto in E minor, Mvt II
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The missing wedge in EE and GE must result from an unfortunate placement of the mark in FE between the dots indicating the range of the octave sign. category imprint: Differences between sources issues: Errors in EE , Errors in GE |
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