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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 81-82

composition: Op. 11, Concerto in E minor, Mvt I

 in Atut (→FEEE)

No sign in GE

..

The missing  hairpin is most probably an oversight of the engraver of GE

category imprint: Differences between sources

issues: Errors in GE

b. 92

composition: Op. 11, Concerto in E minor, Mvt I

Accent on d3 in Atut (→FEEE)

Long accent on c3 in GE1 (→GE2)

No mark in GE3

..

In GE1 (→GE2), the accent over dtook the form of a short  mark (long accent?), starting already over c3. In GE3, the inaccurate mark was omitted, although a respective mark in an analogous figure 4 bars later allowed for an easy reconstruction of the correct notation.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 92

composition: Op. 11, Concerto in E minor, Mvt I

Wedge in Atut (→FEEE)

Staccato dot in GE

..

The pronounced wedge written in Atut (→FEEE) was reproduced in GE as a dot, which is a typical revision (inaccuracy?) of these editions.

category imprint: Differences between sources

issues: GE revisions , Wedges

b. 98

composition: Op. 11, Concerto in E minor, Mvt I

 in Atut (→FEEE)

No sign in GE

..

The absence of the  hairpin is most probably an oversight of the engraver of GE.

category imprint: Differences between sources

issues: Errors in GE

b. 99

composition: Op. 11, Concerto in E minor, Mvt I

..

In GE3, the first chord was arbitrarily provided with a wedge; moreover, the beginning of the slur was moved – see the adjacent note.

category imprint: Differences between sources

issues: GE revisions