Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pitch

b. 291-294

composition: Op. 11, Concerto in E minor, Mvt I

..

In each of these bars, in FE, there is a  before the 1st semiquaver in the L.H.; however, in the further part of the passage, respective notes in other octaves are devoid of marks (except for the  before in bar 293). These patent inaccuracies, repeated almost certainly after [A], were corrected in the remaining editions. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 292

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add a cautionary  before e2. The mark was added already in GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Cautionary accidentals

b. 295

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add a cautionary  before c2.

category imprint: Editorial revisions

b. 296

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add a cautionary  before and a  before f2. The first one was added already in GE and EE2 (→EE3).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 296

composition: Op. 11, Concerto in E minor, Mvt I

..

EE1 overlooked the cautionary  before at the beginning of the bar. The mark was added then in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Cautionary accidentals , EE inaccuracies