b. 572
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest adding a slur combining the upbeat with the beginning of the next bar – the musical connection of that quaver with the next phrase is unquestionable, yet the a tempo indication appearing only just in bar 573 may distort the correct phrasing if interpreted literally. Both the missing slur and placement of a tempo may actually be a random inaccuracy related to the transition to a new page in FE. category imprint: Editorial revisions issues: Inaccuracies in FE |
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b. 572
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composition: Op. 11, Concerto in E minor, Mvt I
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The mark, overlooked in FE, was added in the remaining editions, although its absence does not have to be considered a mistake – cf. e.g. the Waltz in C Minor, Op. 64 No. 2, bar 15. In the main text, we suggest adding the mark in accordance with the possible phrasing, hence before the last quaver, which already begins the next musical thought. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , No pedal release mark |
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b. 573
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Editorial revisions |
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b. 573-599
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 577
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composition: Op. 11, Concerto in E minor, Mvt I
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The grace note in the form of a small crotchet is most probably a mistake of FE – cf. bar 250. A similar conclusion was reached already by the revisers of GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |