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Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
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GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
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EE3 - Revised impression of EE2
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  b. 250

Small crotchets in FE

Acciaccaturas in GE

Appoggiaturas in EE

Grace notes in the form of small crotchets are probably a mistake of FE (see e.g. Sonata in B minor, Op. 35, mov. I, bar 208) – Chopin would use this kind of grace notes before longer rhythmic values, minims, semibreves (cf. e.g. Concerto in F minor, Op. 21, mov. I, ​​​​​​​bar 208). The revisers of GE and EE also evaluated it like that; both introduced forms of grace notes may be considered to be potentially compliant with the notation of [A]. In the main text, we adopt slashed quavers, most frequently used by Chopin. 

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Inaccuracies in FE, GE revisions

notation: Ornaments

Missing markers on sources: GE1, GE2, FE1, FED, FEH, FEJ, FES, GE3, EE1, EE2, EE3, Atut, GE2a, FEFo