b. 36
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composition: Op. 11, Concerto in E minor, Mvt I
..
In Atut (→FE), there is no lowering f2 to f2. This patent inaccuracy was corrected in the remaining editions. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
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b. 36
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composition: Op. 11, Concerto in E minor, Mvt I
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The slur in FE (→GE1→GE2) was written carelessly – the beginning of the slur is placed at the pitch of the top voice, but it falls over the 2nd quaver in the bar. We assume the most straightforward interpretation, from the b1 quaver, to be the text of those editions. The version was revised both in EE and GE3; in the latter, in accordance with Atut. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 39
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composition: Op. 11, Concerto in E minor, Mvt I
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at the beginning of the bar was written in Atut in place of the previous . The absence of a marking in FE (→GE,EE) means that the engraver of FE probably did not understand this correction, considering the mark written in bold font to be a deletion of . In the main text, we preserve the version of Atut, in which Chopin reviewed and corrected the dynamic markings – cf. e.g. bar 20 and 32. category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Errors resulting from corrections |
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b. 39
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composition: Op. 11, Concerto in E minor, Mvt I
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The notation of Atut may be misleading – there is a delicate trace of ink caused by the quill's transfer between the staccato dots, which the engraver of FE considered a slur. The revision in GE3 was most probably performed on the basis of analogy with the following bars. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , GE revisions , Inaccuracies in A |
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b. 39-40
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composition: Op. 11, Concerto in E minor, Mvt I
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The version of FEpiano (→GE,EE), closer to the orchestral part written in FEorch, was introduced by Chopin in the proofreading of FE in place of the original version of Atut. See also bar 42. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |