EE1
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 275

  in FE, literal reading

 in GE

 in EE

In FE, the  mark is placed over the first rest in the L.H., so that it is not entirely clear whether it applies to the chord at the beginning of the bar or to the note opening the semiquaver figurations. We assume the latter, much more likely both as far as the sources and music are concerned:

  • at the beginning of the 2nd beat of the bar, the gap between the bottom stave and the note under the top one in [A] was probably too small to write , so that Chopin had to place it slightly before. It corresponds very well to the image of the text in FE, in which the mark is placed just at the level of the gap between the bottom stave and that b. In turn, if  were supposed to apply to the 1st chord, there would be no reason to perform such shifts. This is how the notation of FE was understood both in GE and EE;
  • the beginning of a similar semiquaver figure in bar 277 is also accented.

The absence of  in GE is most probably an oversight.

Compare the passage in the sources »

category imprint: Graphic ambiguousness

issues: Inaccuracies in FE, Errors in GE

notation: Verbal indications

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