Issues : Annotations in teaching copies
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b. 55
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 55
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composition: Op. 27 No 2, Nocturne in D♭ major
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A (→GE1) has a cautionary category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Foreign hand additions in manuscripts , Authentic corrections of FE , Annotations in GET |
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b. 58
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composition: Op. 27 No 2, Nocturne in D♭ major
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FEJ has octave signs (8) written and crossed out under the1st and the 7th quaver. Those signs were probably mistakenly written one bar too early. category imprint: Corrections & alterations; Source & stylistic information |
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b. 59-60
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the three teaching copies, the bass notes in bar 59 were doubled with lower octaves. In FES the octave progression is consistently brought to the beginning of bar 60. In our opinion this means that Chopin considered the version with the octaves at least equivalent to the version of A (→GE→FE→EE), in which single notes appear. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Authentic post-publication changes and variants , Annotations in FEJ , Bass register changes , Abbreviated octaves' notation |
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b. 60
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
written in by mistake or by a foreign hand in 
in 
