Issues : Annotations in teaching copies
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b. 45-46
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composition: Op. 27 No 2, Nocturne in D♭ major
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In particular sources, dynamic markings in those bars differ significantly. The version of A reproduced – despite various inaccuracies - in GE (→FE→EE) was later fundamentally changed, which can be seen in energetic deletions and additions in teaching copies and FEFr. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Annotations in FES , Annotations in FEFr , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 45-46
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composition: Op. 27 No 2, Nocturne in D♭ major
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The fingerings are written in ink in Jane Stirling's hand. category imprint: Differences between sources |
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b. 48
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composition: Op. 27 No 2, Nocturne in D♭ major
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The sign written into FED most probably means some extra emphasis on the note c flat2 realized through a slight delay in striking it. It may be interpreted as shortening of the slur leading to that note. category imprint: Differences between sources |
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b. 48-49
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composition: Op. 27 No 2, Nocturne in D♭ major
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The sign written into FED most probably means some extra emphasis on the minim c flat2 realized through a slight delay in striking it. It may be interpreted as shortening of the slur leading to that note category imprint: Interpretations within context; Differences between sources |
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b. 49
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
