Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 27 No 2, Nocturne in D♭ major
The natural visible in A (→GE1) before the upper note of the last sixth of the triplet is erroneous, which can be proven by the analogous bar 5, as well as Chopin's proofing of FE and the correction in GET. In its visual form, that natural does not much differ from those put by Chopin, so we cannot be certain that it was written by someone else. However, if we take into account the additions in bars 51-52, the interference is probable also here.
category imprint: Interpretations within context; Differences between sources
issues: Annotations in teaching copies, Foreign hand additions in manuscripts, Authentic corrections of FE, Annotations in GET
notation: Pitch
Back to note