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Issues : EE revisions
b. 39
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composition: Op. 27 No 2, Nocturne in D♭ major
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The accent in A is much shorter than the first sign in this bar. In GE both signs are almost identical - both have the form of short hairpins category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 39-40
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composition: Op. 27 No 2, Nocturne in D♭ major
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When correcting FE (→EE), Chopin added accents under bass notes in the middle of each of those bars. In EE, a vertical accent was used in bar 40, which is characteristic for that edition. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , Authentic post-publication changes and variants |
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b. 40-44
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A cresc. begins in bar 40 and reaches the end of bar 44. In GE the dashes are missing from bars 43-44, which is certainly a mistake, as Chopin reintroduced them in the proofing of FE (→EE). Moreover, in the same proofing he moved the beginning of the cresc. to bar 41. In EE the indication is written out in full, broken into syllables in bars 41-43. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in GE , Authentic corrections of FE |
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b. 40
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composition: Op. 27 No 2, Nocturne in D♭ major
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Missing in A (→GE1→FE) are the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 41-43
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composition: Op. 27 No 2, Nocturne in D♭ major
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To highlight bass notes, in A Chopin used three category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in GE , Authentic corrections of FE |