Slurs
b. 21-22
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composition: Op. 27 No 2, Nocturne in D♭ major category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 22-24
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composition: Op. 27 No 2, Nocturne in D♭ major
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Beginning the slur from the crotchet e flat2 in the middle of bar 22 is not precisely notated in A, but in this context it is doubtless. Nonetheless, in GE (→FE→EE) the slur begins from the next bar (which, due to sustained e flat2 , has no practical meaning anyway). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 25-27
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composition: Op. 27 No 2, Nocturne in D♭ major
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The earlier beginning of the slur in GE is probably the example of reading the manuscript markings in a certain manner characteristic for GE. Connecting that slur with the next one in FE (→EE) must be the result of Chopin's correction of FE. category imprint: Differences between sources; Corrections & alterations |
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b. 26-30
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composition: Op. 27 No 2, Nocturne in D♭ major
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In EE3 slurs in the left hand were arbitrarily added. Those slurs contradict the authentic slurs given in bar 1 as a pattern to be followed throughout the entire Nocturne. category imprint: Differences between sources issues: EE revisions |
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b. 26-27
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur in A ends in the manner that allows for two interpretations: either the slur extends to the last note of bar 26 or to the a flat1 at the beginning of bar 27. The second interpretation, in our opinion being more likely, was adopted in GE. In the main text we give the slur in the version corrected by Chopin in FE (→EE). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations |