Pitch
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b. 57
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composition: Op. 27 No 2, Nocturne in D♭ major
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We add a cautionary category imprint: Editorial revisions |
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b. 58
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composition: Op. 27 No 2, Nocturne in D♭ major
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FEJ has octave signs (8) written and crossed out under the1st and the 7th quaver. Those signs were probably mistakenly written one bar too early. category imprint: Corrections & alterations; Source & stylistic information |
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b. 59-60
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the three teaching copies, the bass notes in bar 59 were doubled with lower octaves. In FES the octave progression is consistently brought to the beginning of bar 60. In our opinion this means that Chopin considered the version with the octaves at least equivalent to the version of A (→GE→FE→EE), in which single notes appear. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Authentic post-publication changes and variants , Annotations in FEJ , Bass register changes , Abbreviated octaves' notation |
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b. 59
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composition: Op. 27 No 2, Nocturne in D♭ major
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The note f in GE1 is certainly erroneous: this is evidenced by the proofing - probably Chopin's - of FE, in which the d flat written in A was reinstated. The error was also corrected in GE2. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error , Authentic corrections of FE |
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b. 60
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Errors in EE |
before c3.
