Issues : Inaccuracies in GE
b. 49
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composition: Op. 27 No 2, Nocturne in D♭ major
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Reproduction of the notation of A in the editions is inaccurate in two aspects: Chopin's long accent was reproduced as a short one and the marks and > were tied together, which may suggest the limited application of only to the right hand. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 51
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 51-52
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur over the run in bar 51 clearly reaches the first b3 of bar 52 in A. Nonetheless, it was reproduced in the editions as not extending beyond bar 51. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 52
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composition: Op. 27 No 2, Nocturne in D♭ major
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Disregarding A, the hairpins in GE (→FE→EE) were stretched to fill all the available space between con forza at the beginning of the bar and the hairpins at the end, surely contrary to Chopin's intention. category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins |
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b. 54
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composition: Op. 27 No 2, Nocturne in D♭ major
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A long accent from A was interpreted in GE (→FE→EE) as half-bar long hairpins . The comparison with the analogous bar 56 resolves any possible doubts as to the meaning of that sign. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE , Scope of dynamic hairpins |