Issues : Inaccuracies in GE

b. 49

composition: Op. 27 No 2, Nocturne in D♭ major

A long accent in A

A short accent in GE (→FEEE)

..

Reproduction of the notation of A in the editions is inaccurate in two aspects: Chopin's long accent was reproduced as a short one and the marks  and > were tied together, which may suggest the limited application of  only to the right hand.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE

b. 51

composition: Op. 27 No 2, Nocturne in D♭ major

A long accent in A

A short accent in GE (→FEEE)

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 51-52

composition: Op. 27 No 2, Nocturne in D♭ major

The slur in A

GE (→FEEE)

..

The slur over the run in bar 51 clearly reaches the first b3 of bar 52 in A. Nonetheless, it was reproduced in the editions as not extending beyond bar 51. 

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 52

composition: Op. 27 No 2, Nocturne in D♭ major

  in A

GE (→FEEE)

..

Disregarding A, the hairpins  in GE (→FEEE) were stretched to fill all the available space between con forza at the beginning of the bar and the hairpins   at the end, surely contrary to Chopin's intention.

category imprint: Differences between sources

issues: Inaccuracies in GE , Scope of dynamic hairpins

b. 54

composition: Op. 27 No 2, Nocturne in D♭ major

A long accent in A

Hairpins   in GE (→FEEE)

..

A long accent from A was interpreted in GE (→FEEE) as half-bar long hairpins  . The comparison with the analogous bar 56 resolves any possible doubts as to the meaning of that sign. 

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE , Scope of dynamic hairpins