Issues : Inaccuracies in GE
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b. 44
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composition: Op. 27 No 2, Nocturne in D♭ major
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The marks in A are definitely accents, yet in GE they assumed the form of hairpins category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 44-45
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A, Chopin marked with extra crotchet stems the progression c sharp-d-e flat, evidently in connection with the span of the semiquaver figures and the actual possibility of sustaining the marked notes with the fingers. In GE1 (→FE→EE) c at the beginning was mistakenly sustained instead of d at the end of bar 44. In GE2 the omitted stem for d was added. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 44
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composition: Op. 27 No 2, Nocturne in D♭ major
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The accents of A were probably omitted by mistake in GE1 (→FE→EE). However, Chopin did not supplement them when proofing FE, despite the fact that he was adding the lines lengthening cresc., in that bar and in the preceding bars he was supplementing other L.H. accents. As we cannot be sure of his ultimate intention, we give the accents in brackets and leave the decision to the performer. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 45-46
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composition: Op. 27 No 2, Nocturne in D♭ major
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In particular sources, dynamic markings in those bars differ significantly. The version of A reproduced – despite various inaccuracies - in GE (→FE→EE) was later fundamentally changed, which can be seen in energetic deletions and additions in teaching copies and FEFr. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Annotations in FES , Annotations in FEFr , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 47
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composition: Op. 27 No 2, Nocturne in D♭ major
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The mark category imprint: Differences between sources issues: Inaccuracies in GE |
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