Pitch
b. 5
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources; Corrections & alterations issues: Errors of A , Accompaniment changes , Authentic corrections of GE |
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b. 7
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composition: Op. 27 No 2, Nocturne in D♭ major
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Correcting FE, Chopin somewhat changed the contour of the melody in that bar. The earlier sources—A (→GE)—have a repeated e flat2 at the beginning of the second half of the bar and a turn between that quaver and the next one. In the later sources, FE (→EE), the note e flat2 is tied and the turn is removed. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Turn |
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b. 8
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composition: Op. 27 No 2, Nocturne in D♭ major
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A bears the traces of correcting the fifth and the sixth semiquaver of the left hand from e flat1-g flat to d flat1-e flat. category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |
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b. 9
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composition: Op. 27 No 2, Nocturne in D♭ major
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Traces of erasing visible in A allow us to decipher the probable initial version of the accompaniment in that bar as: . category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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The deletions visible in A point to Chopin's corrections in the 2nd part of the bar. Most probably the composer altered the graphic layout of the semiquaver beam and changed the last note from f to a. category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |