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b. 12
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the edited text we preserve the notation of A, despite the fact that a slashed grace note represents the actual execution more accurately here. Chopin did not always adhere to the conventional rules of musical notation for grace notes. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 12
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composition: Op. 27 No 2, Nocturne in D♭ major
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Instead of a wedge appearing in A, the editions have a dot printed here. Generally speaking, the engraver used dots only to indicate staccato throughout the entire Nocturne in GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 13
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composition: Op. 27 No 2, Nocturne in D♭ major
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A has here visible traces of corrections: change of notation into two-part one and division of beams for a clearer presentation of the rhythmic structure. category imprint: Interpretations within context; Corrections & alterations issues: Corrections in A |
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b. 13
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composition: Op. 27 No 2, Nocturne in D♭ major
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In EE the staccato indication was overlooked. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 13
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composition: Op. 27 No 2, Nocturne in D♭ major
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The slur added in FEJ is, in the editors' opinion, not only a teaching remark but an improvement of imperfect notation. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEJ |
