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b. 10
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composition: Op. 27 No 2, Nocturne in D♭ major
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The point where the category imprint: Graphic ambiguousness; Differences between sources issues: Unclear hairpins in A |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the editors' opinion, the accents of A at the beginning of the first and the second half of the bar should be interpreted as the long ones. In GE (→FE→EE) ordinary short accents were put in those places. category imprint: Differences between sources |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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Both notes of the fifth b flat1-f2 are linked with a stem in A , which is most probably what remained from the initial single-voice version of the notation of that fragment. A also bears traces of correction of the lower note from a1 to b flat1. category imprint: Interpretations within context; Corrections & alterations issues: Corrections in A |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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The deletions visible in A point to Chopin's corrections in the 2nd part of the bar. Most probably the composer altered the graphic layout of the semiquaver beam and changed the last note from f to a. category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |