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b. 54

composition: Op. 27 No 2, Nocturne in D♭ major

No articulation mark in GE (→FEEE)

A possible wedge in A

..

A trace of the pen visible in A over the third g flat2-b flat2 beginning the second part of the bar may be interpreted as a wedge. However, the sign is so illegible that, following the first editions, we omit it from the text. 

category imprint: Graphic ambiguousness

b. 54

composition: Op. 27 No 2, Nocturne in D♭ major

..

In the figure on the 4th quaver of the bar FE (→EE) has erroneously a semiquaver rest instead of a demisemiquaver rest.

category imprint: Differences between sources

issues: Errors in FE

b. 55

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering written into FED

No fingering for teaching purposes suggested

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 55

composition: Op. 27 No 2, Nocturne in D♭ major

..

We add a cautionary flat before d flat3.

category imprint: Editorial revisions

b. 55

composition: Op. 27 No 2, Nocturne in D♭ major

 written in by mistake or by a foreign hand in A (→GE1)

 in FE (→EE), GE2 and GET

..

A (→GE1) has a cautionary  before the upper note of the last sixth of the triplet, instructing us to read that note as c3. This is obviously a mistake, corrected in the proofing of FE (→EE), GE2 and GET.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , Foreign hand additions in manuscripts , Authentic corrections of FE , Annotations in GET