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b. 32
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composition: Op. 27 No 2, Nocturne in D♭ major
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Fingering written into GET may be considered to supplement the fingering of FES, therefore we give the two jointly. The fingering of GET may also be supplemented in another way: (3-2)-1-(3-2-1)-1. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in GET |
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b. 33
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composition: Op. 27 No 2, Nocturne in D♭ major
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A (→GE) has a flat1 as the 2nd and the 4th semiquaver. Chopin changed them to f1 in the proofing of FE (→EE). The relevant correction is also visible in GET. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic corrections of FE , Annotations in GET |
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b. 33
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composition: Op. 27 No 2, Nocturne in D♭ major
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At the end of the triplet tie in EE the demisemiquaver beam was accidentally omitted. We add [3] to make the rhythm of that figure more clear. category imprint: Differences between sources; Editorial revisions issues: Errors in EE |
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b. 33
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composition: Op. 27 No 2, Nocturne in D♭ major
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A distinct wedge in A was – like all others – reproduced in GE as a staccato dot. In FE (→EE) the sign was omitted. A trace visible in FE may mean the deletion of the dot, but as we are not quite sure, in the main text we give the wedge written by Chopin in A category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE |
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b. 33
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Annotations in FED , Synchronization markings |
